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'The
Fleas Come With the Dog'
By Doug White
Online
Reporter
Its
15 minutes before deadline and youre panicked. Its
not that your story isnt done, its just that it
isnt any good. Actually, it stinks. You think you even
smell a pungent odor emanating from the printout.
Youve
put your heart, soul, and sweat into the story and diligently
pored over every sentence, every word. Youve done everything
you possibly can, but the fact remains: This is without question
the worst piece of prose to ever appear on the printed page.
"This
story is pathetic," you think. "Im horrible at this."
Congratulations
and welcome to the club! Youre a writer.
Most,
if not all, writers doubt their ability from time to time.
As Poynter senior scholar and faculty member Roy Peter Clark
points out, writers of all ages deal with fear.
But
that fear can be especially intense for less experienced journalists
who are just starting to write for an audience.
"The
fleas come with the dog," Clark said. "The anxiety and
vulnerability is part of the excitement of being a writer."
Having
fear is "a very writerly response," he said. "The act of writing
tends to reveal the writer. Thats why the writer feels
nervous, anxious, and vulnerable."
One
way to counter fears and grow as a communicator is to write
often. Another way is to take note of the feedback you receive,
and learn to see the value of both encouragement and criticism.
Clark
notes that as positive feedback gradually seeps in, students
eventually learn the language of self-encouragement. But he
added that writers should not develop callouses against criticism.
"Learn the value of any criticism, even harsh and insensitive
criticism, Clark said. "If you can find a way to absorb it
without it crushing you, then it helps you develop writing
and revising muscles. Ask yourself what it was in the story
that made the person react that way."
Clark
said instead of apologizing or defending your work, simply
describe take what you can from the criticism, and then let
it go.
"Writers
can get beat up by insensitive teachers and editors,"
Clark said. "They may feel vulnerable to exposing themselves
to more of that. The best way to get back is to stand up straight,
read it loud, and be proud."
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USuck.FM
By
Chip Scanlan
Reporting, Writing & Editing Group Leader
Just before many
writers begin typing away at the keyboard, they hear
a little voice.
It says: "You suck." It's the voice of the critic that
lives inside all of us, a voice that keeps us from discovering
the writing only we can do.
Writers all over report
hearing this voice. One reporter at the Los
Angeles Times hears
it so often she says it's like a radio station, USuck.FM,
playing inside her head all day long.
I've started asking writers
to contribute to a playlist for USuck.FM. My favorite
song so far: Loser, by Beck.
But there's a way to turn
it off. It's a sure-fire cure for writer's block. You
just have to lower your standards. At first. Of course,
you have to be the toughest critic of your own work,
checking that the spelling is correct, that your story
is accurate, fair, balanced, and embodies all the other
qualities of good journalism.
But if you lower your
standards, you can quickly produce a first draft, and
still have plenty of time to revise and improve upon
it.
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