Domestic
News Single
First
place: Mike Urban, Seattle Post-Intelligencer
PHOTO
WITHHELD
Kenny
Irby, group leader of Poynter's Visual Journalism faculty,
explains Poynter's decision not to publish this photograph:
"As a school for journalists, The Poynter Institute
upholds the highest standards of visual journalism and ethical
decision making. The Best of Photojournalism's winning entry
in the domestic news category, awarded to Mike Urban of
the Seattle Post-Intelligencer, is an unpublished
photograph of a brutally disturbing situation that involved
a sexual assault during Seattle's Mardi Gras celebration
last year."
Read more.
|
Domestic
News Single judging
criteria:
A photograph that is unplanned and immediate. An event where the
photographer hasn't the time to plan but reacts on instinct, adrenaline
and news judgement. A photograph taken in the United States.
Domestic
News Single
First Place: Mike Urban, Seattle Post-Intelligencer
Second Place: David Duprey, Associated Press
Third Place: Stephanie Sinclair, Chicago Tribune
Honorable Mention: Carlos Chavez, The Desert Sun
Honorable Mention: Gloria Ferniz, San Antonio Express-News
Honorable Mention: David Parker, Reno Gazette-Journal
Winner's
Comments:
"Man, it's kinda nice to be honored. I am not sure what to
say... I've been pursuing an NPPA national award for 14 years. I
have won lots of local stuff, but this is different. It's a huge
honor for me, this picture has been the subject of great discussion
in our city and our newsroom. I hope that the judges will take under
consideration all of the factors involved. People need to see this
picture. I am honored by you all. Our paper did not publish the
picture, while I disagreed with the decision that our editors made,
I do respect it." -- Mike Urban
Additional
Comments from Kenny Irby's conversation with Urban:
For Urban, Seattle's
Fat Tuesday celebration in Seattle's Pioneer Square district was
"a frightening experience to witness." Urban clearly recalled
that during the violent culmination of a week of Mardi Gras festivities
he "finally got scared enough in the crowd that I looked to
get to higher ground." He added, "I worked my way to a
perch atop of a fire escape and convinced the owner to allow me
to stay there. When he saw what was going on below me, he allowed
me to stay."
"Things
had gotten out of control and I could not really take pictures from
the crowd as I worked with my Canon D-2000 digital cameras. I saw
this woman who in typical Mardi Gras fashion was asked to raise
her top, when she refused. They (the men around her) began to reach
at her and tear her clothes. In the fury of the moment, I got off
12 frames or so and then my camera overheated. This is a normal
defect of that version of digital camera (we are getting new EOS-1D's
soon)."
"I was
shocked and somewhat dazed as this... it was like a sporting event,
where things happen so fast and you are not sure that you got the
picture, whether or not it is in focus and usable..."
"It happened so fast that the sea of people cleared and the
woman just disappeared; there was no time for me to do anything."
"Back
in the office the editors made a decision not to publish the picture
because of concerns for the victim's identity. I wanted the picture
to run and while I disagreed with the decision, I did respect the
decision."
Judges'
Comments About the Photograph:
"This photograph makes a powerful statement on the brutality
of that event and about our society. At this time, no one came to
this woman's aid. The guy with the video camera says something very
sad about our world." -- Michele Stephenson "I
am shocked by the total brutality of this, even more horrified by
the fact that no one is doing anything to stop this violent act.
I live in Seattle and never saw this picture. I feel that it needs
to be seen." -- Cheryl Hatch
"This
is one powerful picture, it is tough to look at and captures an
inhumane situation. The picture makes me incredibly angry and will
hopefully make others angry enough to act as a result of seeing
it. Journalism is supposed to shine a light on the wrongs of our
world. Sexual abuse is often a secret crime and this is one of those
rare cases where we have an opportunity to show just how horrific
these acts are. We have a responsibility to be caring for the victim
and to show people the reality of these actions. I apologize for
the grief this image could cause this woman on levels that I can't
possibly understand. My hope is that she will feel some vindication
that her perpetrators have been identified and hope that they will
at some point be made accountable for their actions. It would be
valuable to have the video tape surface to help identify the perpetrators
on the other side the picture for example."
-- Brian Storm
Judges'
Comments About Publishing the Winning Entry:
"I am torn. I am very concerned about the long-term damage that
it could do to an individual... rights of the victim versus the right
of everybody, in terms of this being a crime and something that want
to show. Initially, my reaction was run it or don't... The best example
of showing right and wrong is to show this picture." -- Robert
Hanashiro
"I think that we honored a process here that we should acknowledge...
The original decision was made and we stood by our first decision,
but we were not so rigid in our thinking that we did not stop to
consider the consequences of the decision. So, the judging process
is a reasonably swift and decisive moment. After that, issues were
brought to the table, considerations were weighed... Everybody in
here (was) weighing some very difficult choices... the difference
between honoring and respecting the moral imperative of your profession
and honoring and respecting the dignity of a single human being.
And for me that was the hardest part..." -- Cheryl Hatch
"This
has been a comprehensive, well thought-out discussion. I think that
knowledge is power. Sometimes it's hard to get to and it's risky
and it's scary to push on things like that, but ultimately I think
that the greatest atrocities in our world, are a result of not having
enough knowledge. So, I would rather err on the side of education
and also think that we are looking at the greater good. I would
feel really, really, badly if the individual has more damage done
to her as a result of this. I would rather, push, push, push, the
human condition and say 'look, let's fix this.'" -- Brian
Storm
"I always
ask my photographers, when they take pictures, if they would like
to be on the other side of the table in these situations and having
somebody else take their picture... that generates a very good human
quality in the picture-taking of my photographers... I say that
that there was no doubt in my mind, whatsoever, when I saw this
picture that for us (in Argentina) it was a publishable picture,
but also that is the kind of fast decision that I have to make...
but I would have digitized the face. I say that the face of the
victim in this picture is extremely unimportant, so digitizing it
preserves the personal rights of the victim and I am all for (that)...
the victim deserves all the respect in the world. For the record...
I would like to raise the subject that (regarding) the concern for
the local news by my esteemed colleagues... I do believe that if
we stop this picture from being printed, we should as well stop
very many international or foreign pictures. The most important
part of this, is that (not publishing this photo brought us to a
point where) we are... imposing a double standard (of applying one
standard for a photograph taken locally in the United States and
another for those captured abroad)."
-- Horacio Villalobos
"This
picture was different to me, I don't think that the digitizing is
an issue; that is an ethical issue, it is not a photo manipulation
issue in this case (because the purpose of the alteration is protection
of the subject rather than deception of the viewer). That is the
only thing that makes me at all comfortable with proceeding with
sharing this picture, in the hopes that some good will come from
it. The thought that this could cause any further harm is very difficult.
I could never publish this picture (at Time) and so in this
forum, this contest gives us an opportunity -- as journalists--
to do something that most of maybe could not do in our regular jobs
and hope that good will come out of it." -- Michele Stephenson
|