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Thursday,
July 4, 2002
Cinematic
Success
Joanna
and Richard Hughes nurture film fans and cultivate community spirit
at the Beach Theatre.
By
Katy
Murphy
Points South Staff Writer
ST.
PETE BEACH-Beach
Theatre employees affectionately refer to customer George Flack,
70, as "the Reverend." They don’t know his name, but when
they see his face, they know it’ll be two lemonades and a medium
popcorn to share with his wife, Olga. They also reserve back exit
row seats with a napkin for the Flacks. Olga, 71, had hip surgery
last June. She can’t negotiate the aisles like she used to.
George
emerges smiling from the movie theater, a patriotic ribbon and various
religious insignia pinned to the lapels of his olive jacket. He
and Olga liked "The Importance of Being Earnest" enough
last week to come back and see it again. They visit the theater
almost every Saturday night.
On
his way out, George peers through the glass door. He sees a teen-ager
perched on a bike rack, dressed entirely in black except for a long
silver chain dangling from his pants. Spikes protrude from his armband.
"Some
strange people start to appear for this ‘Rocky Horror Show’ on Saturdays,"
he says.
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PHOTO
BY KATY MURPHY
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| Tony
Saieva, 24, serves a drink to a Rocky Horror fan on Saturday
night at the Beach Theatre. |
All
walks of life come to The Beach Theatre, a blue and white Art Deco
building on 315 Corey Ave. The third-oldest building in St. Pete
Beach, it is now the closest place to St. Petersburg to catch foreign
or independent films. At a time when DVDs, digital TV and BayWalk’s
20-screen theater megaplex dominate the entertainment landscape,
smaller theaters struggle.
Several
local cinemas have closed their doors this year, including United
Artists Theater and Main Street Cinemas, a discount theater in Clearwater.
Two AMC theaters, at Clearwater and Countryside malls, have also
recently shut down.
But
somehow this single-screen theater has managed to stay afloat. Its
offbeat movies, Amber Bock beer and friendly English owners have
attracted a diverse and devoted clientele during the past few years.
"It’s
a labor of love," explains Joanna Hughes, 29, who runs the
theater with her husband, Richard. The two met in St. Petersburg.
When they saw that the theater was for sale in 1997 for $260,000,
Joanna’s father, Raza Chouls, a commodities trader, bought it for
them to operate.
"We
want to be that friendly neighborhood place where you get more than
in a multiplex," Joanna says.
Joanna
and Richard knew that their theater’s survival would rely on a specialized
niche. Their independent features would have to be first-run. Not
too bizarre, but not too mainstream, either. It’s often a close
call. More popular films like "Amelie," "The Blair
Witch Project" and "Monster’s Ball" sometimes filled
the 243 seats. They opted against "Life is Beautiful"
because too many other theaters were showing it.
Theresa
Divito often drags her husband, Joe, to the Beach Theatre with her.
"I
love this theater. It’s like an old-fashioned movie house!"
exclaims Theresa, 46, from Seminole. "He comes kicking and
screaming," she says, smiling at her husband, "but he
ends up loving the movies."
The
theater typically generates $60,000 to $80,000 profit a year. Joanna,
a commodities trader for Remizzo, Inc, crunches the numbers for
their small enterprise; Richard, a graphic designer, applies himself
to its "colors and shapes," she jokes. The couple’s complementary
assets inspired them to revive the dilapidated theater four years
ago. They knew nothing about the movie industry back then.
Richard
and Joanna had no choice but to renovate. Musky, tobacco-stained
hemp drapes covered the walls. The ceiling often rained on the moviegoers.
"There
were seats with worn springs shooting into people’s bums. We had
to pay for a few pairs of trousers," Richard says.
Two
years and $100,000 later, the theater boasted a new sound system,
comfortable seats with cup holders and a new roof.
Richard,
whose father’s construction business brought the family to live
in Zambia, Nigeria and the United Arab Emirates, sometimes has the
urge to uproot himself again. It’s hard, as a designer, to be tied
to one place. But it’s too late.
"We
love this theater," he says. "It means too much to us
now."
Dave
Bricker, a 22-year-old manager, considers himself a part of the
family business as well. He’s worked at the Beach Theatre since
right after "The Blair Witch Project" came out three years
ago.
"If
I’m not at home, I’m here," Dave says. "The movie industry
sucks you in."
The
theater’s four employees, Dave, his cousin Doug Katlin, 22, Tony
Saieva, 24, and Phong Nguyen, 22, began their migration from a multiplex
theater four years ago. They enjoy the autonomy, the increased pay
and the sense of place the theater provides. It’s also the hangout
of choice for their tight-knit group of friends, most of whom went
to Boca Ciega High School, or "Bogie," as they call it.
"We
pay them well, but it’s gone beyond the money," says Richard.
"They love it now, for some reason."
His
employees worry when ticket sales are down. They screen every new
movie before it comes out and give recommendations to the 30 people
who call each day. And they treat their regulars, like "the
Reverend," as friends.
George
holds the door for Olga as she leans on her cane for support. The
light from the marquee illuminates the brick sidewalk for them.
The lobby is empty again. Dave abandons the concessions counter
to clean the theater before the "Rocky Horror Picture Show,"
the cult classic that plays every Saturday night at 11:30 p.m.
Anthony
Lauver, 18, comes to life from the bike rack when asked about "Rocky
Horror." Anthony is a fan of black metal and poetry, but "Rocky
Horror" is his passion. In school, they think he’s weird,
he says, but he feels accepted here. He has memorized all the lines
from the gag script.
"I
sit with myself so I can say my lines," he says, swinging his
arms as he talks.
Anthony
steps into the light of the marquee, the same light that will draw
the late-night theater groupies. They come every Saturday night
with no intention of watching "Rocky Horror." The
Bogie grads, many former employees, come to smoke and laugh outside
the theater door. And they will stay until 2:30 a.m., when the lights
of the Beach Theatre click off.
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